Saturday, March 28, 2015

A Japanese Lantern

I just visited Washington D.C. on the first weekend of this year's National Cherry Blossom Festival.  While the blossoms weren't out yet, I still enjoyed walking around the Tidal Basin and monuments in decidedly spring-like weather.  One of the things I wanted to see while there was the Japanese lantern which is lit once a year during the festivities.  I didn't expect it to turn into a history lesson.

The Japanses Lantern, by the Tidal Basin

When I arrived at the lantern, there was a park ranger sharing facts with a small tour group.  He explained that it was a gift from Japan to the United States in 1954, meant to symbolize renewed friendship between our countries after having fought each other in the Second World War - which of course culminated in the bombings of Hiroshima and Nagasaki.  He went on to say that the lantern had been carved three hundred years before, and was given then as a gift or tribute to one of the Tokugawa shoguns.  The requirement for such gifts helped ensure that local lords couldn't amass enough wealth to challenge their leaders.  An inscription on the lantern's support column records the details of this original presentation, marking it as a gift from Hizen Province.  A Chinese fellow in the group was even able to make out the inscription and confirm this.  The park ranger then shared that the part of Hizen Province from which the lantern came is now the Nagasaki Prefecture.

This well-presented tale drew an impressed murmur from the group (myself included), and gave added meaning to the monument before us.  It stayed with me and made me curious, so when I got home I checked into more of the details.

I found this translation of the inscription on the lantern, with additional notes:
"A pair of stone lanterns dedicated in memory of Daiyuin, placed in front of mausoleum at Toeizan in Bushu on this 20th day of the 11th month of the 4th year of Keian by Shigenobu Matsuura, Lord of Hirado, in Hizen Province." (Translated from Japanese by the Library of Congress.)

Daiyuin was a posthumous name for Iemitsu Tokugawa, third of the Tokugawa shoguns, who lived from 1604 to 1651.
Toeizan in Bushu is the Kan'ei-ji Temple, now in Ueno Park in Tokyo.
The date listed is equivalent to January 1, 1652.[1]
While looking up information about Hizen Province and the city and domain of Hirado, I found another intriguing connection.  In 1616, a decree made the cities of Hirado and Nagasaki the only two Japanese ports open to non-Chinese foreigners.  In the 1630s, Iemitsu Tokugawa enacted the sakoku policy which would close Japan's borders for over two centuries. 

Japan began to re-open its borders in the 1850s, after the arrival of Commodore Matthew Perry's "Black Ships" and a show of force.  Perry signed the Treaty of Peace and Amity with Japan on March 31st, 1854.

The lantern was presented as a gift to the people of the United States at the opening of the Cherry Blossom Festival of 1954[2].  The dedication ceremony was held on March 30th, commemorating the 100th anniversary of the signing of the treaty between Japan and the U.S., and using that to call to mind the bond between the countries.

So... the lantern which was first carved as one of a pair, honoring the shogun who had closed Japan's borders,  became a gift to the United States as a symbol of friendship and commemoration of the re-opening of Japan's borders.

I wonder if this was an intentional choice, or just a coincidence.  I found a few references[3] which indicate that Japan had offered the lantern as a gift as far back as 1921, but diminishing relations between the countries and then the war prevented that from happening for 32 years.  In any case, the lantern is still an integral part of the Cherry Blossom Festival and it tells quite a story.

The Japanses Lantern


[1] "The Japanese Flowering Cherry Trees of Washington, D.C., A Living Symbol of Friendship" by Roland M. Jefferson, U.S. National Arboretum and Alan E. Fusonie, National Agricultural Library (U.S. Department of Agriculture, 1977), p 28 (p 38 of PDF)

[2] newsreel footage from 1954 dedication ceremony

[3] National Park Service sign, undated

Monday, March 2, 2015

The Yale Hospital at Limoges

Mobile Hospital No. 39 in Limoges, France

Here's a photo of many men and women of Mobile Hospital No. 39, taken around December 1917 in Limoges, France.  Sorry, I don't have a higher resolution copy right now.

In my research, I came across a hand-written key to who is who in the photo.  Several members of the unit, including my great-grandfather, are not present.

seated: Capt. James W. Squires, Lt. William H. Morris, Lt. A. Bliss Dayton, Lt. Donald B. Wells, Capt. Alfred M. Rowley, Major Joseph M. Flint, Capt. Philemon E. Truesdale, Lt. Alexander L. Prince, Lt. Edward C. Streeter, Lt. Francis B. Jennings, Lt. Robert L. Elliston.

second row: Pvt. Johnson, Sgt. John Allison (behind), Pvt. Shea, Mrs. Rowley, Miss Watts, Miss Conway, Miss De Freest, Miss Greenwood, Miss Cumming, Miss Catherine McGovern, Miss Screen, Miss Mollie Shepherd, Miss Ethel Squires, Miss Cullum, Miss Kane, Sgt. Brown, Sgt. G. C. Heath, Sgt. Archibald MacLeish (behind), Rev. Mr. Bradbury.

third row: Pvt. Hascall, Pvt. C. Morgan Aldrich, Pvt. Francis H. Bangs, Sgt. R. B. Turner, Pvt. Bill Moore, Pvt. Charles H. Wilson, Pvt. Leslie Babcock, Pvt. Ben Shove, Pvt. E. L. Douglas, Pvt. Walter Hovey, Pvt. T. Lawrason Riggs, Pvt. Booth, Sgt. Shelden Rose, Pvt. Smith, Pvt. Russ Hoye, Corp. Sawyer, Corp. John L. Alsop, Corp. Degnan, Pvt. E. Dwyer Hubbard, Pvt. O'Reardon, Pvt. Lou S. Middlebrook, Pvt. Randy Reynolds.

fourth row: Pvt. Carter, Pvt. Willard, Pvt. Dutch Arnold, Pvt. W. Douglas, Pvt. L. E. Clark, gap, Pvt. Gardner Murphy, Pvt. H. H. Brownlee, Pvt. Tom Cornell, Pvt. Reginald "Pete" Roome, Pvt. W. H. Covey, Pvt. Ted Pease, Pvt. Len Beadle, Pvt. G. Clark, Pvt. Samuel J. Keator (almost concealed), Pvt. Ernie Rasmussen, Pvt. Aldric H. Man, Pvt. Stanley Daggett.

back row: Pvt. Stanford, Pvt. Ed Purdy, gap, Pvt. Charles R. Bartlett, Pvt. John H. Williams, Pvt. Danford N. Barney, Pvt. Thompson, Pvt. Archie S. Alsop, Sgt. Russell, Sgt. Howell.

An Introduction

How to begin?  Many of you who find this early on will already know that I've gotten hooked on historical research.  I've been telling family and friends about this hobby for a while.  I have no formal training in this, it's just something that I'm figuring out as I go along.  My approach is to start with family history and use that as a point from which to dive deeper into local and world history.

My first major project actually started with a stamp collection.  During the Spanish Civil War (1936-1939), individual towns on both sides of the conflict created their own stamps.  My great-grandfather, Marshall H. Williams, Sr., created a highly specialized collection of the Spanish Civil War Locals which were also Madonna Stamps.  That collection was passed on to me when I was young.  I tried to learn about it at the time, without much luck.  I took it out again a few years ago and started investigating all over again, and this time learned quite a bit about the stamps and the war.  I also learned more about my great-grandfather and other ancestors, and began to dig into other topics.

My current project, which I have been working on for almost a year already, is a study of the Yale Mobile Hospital (Mobile Hospital No. 39, A.E.F.) in World War I.  Marshall Williams enlisted with this unit and served with it for the entire sixteen months that it was in France.  Despite its number, it was actually the first mobile hospital in the American Army.  They went through some difficulties in getting started, but were ultimately successful and served as a prototype for other units of the same type.  I've found all of this quite interesting - learning about the hospital unit, my great-grandfather's involvement, and more about the war as well.

My hope with this blog is to share some of the things that I come across, as I work on these types of projects.  A good portion of that for the foreseeable future will be about the Yale Mobile Hospital, but I don't intend that to be an exclusive focus.  I've enjoyed sharing things about this work with others so far, and hearing feedback, and I hope this can be a place for more conversations about these topics.  Whatever brought you here, I hope you enjoy what you find.